Engros- Olja Måleriet Reproducering , Nej Minimum!

 
 

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Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations

Måleriet identifieringen::  261
Crucifixion
Museum om verk om Katedral Siena
1255-1318 Italian Duccio di Buoninsegna Locations Titta min galleri i Sverige
 
 
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Duccio di Buoninsegna Crucifixion oil painting reproduction

   
 

 

 
   
      

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Matthias Grunewald

German 1475-1528 Matthias Grunewald Galleries

Måleriet identifieringen::  1833
Crucifixion
1510-15
German 1475-1528 Matthias Grunewald Galleries Titta min galleri i Sverige
 
 
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 Matthias  Grunewald Crucifixion oil painting reproduction

   
 

 

 
   
      

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Simon Vouet

French Simon Vouet Gallery 1590-1649

Måleriet identifieringen::  10140
Crucifixion
1622 Olja på segelduk. 375 x 225 cm Huvudman del Gesu Genova
French Simon Vouet Gallery 1590-1649 Titta min galleri i Sverige
 
 
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 Simon  Vouet Crucifixion oil painting reproduction

   
 

 

 
   
      

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Odilon Redon

French Symbolist Painter, 1840-1916

Måleriet identifieringen::  11684
Crucifixion
ca 1910 10~~ x 1~ 6 1/2~~( 25.7 x 47.1 cm )Bequest av Fru Redon.1982
French Symbolist Painter, 1840-1916 Titta min galleri i Sverige
 
 
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Odilon Redon Crucifixion oil painting reproduction

   
 

 

 
   
      

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Eugene Carriere

French Symbolist Painter, 1849-1906

Måleriet identifieringen::  11691
Crucifixion
Salongen av 1897 7 5 1/4~~ x 4 3 1/4~~( 227 x 130 cm )
French Symbolist Painter, 1849-1906 Titta min galleri i Sverige
 
 
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Eugene Carriere Crucifixion oil painting reproduction

   
 

 

 
   
      

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Francisco de Zurbaran

1598-1664 Spanish Francisco de Zurbaran Galleries

Måleriet identifieringen::  29181
Crucifixion
mk65 1650s Olja på segelduk 104x38~
1598-1664 Spanish Francisco de Zurbaran Galleries Titta min galleri i Sverige
 
 
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Francisco de Zurbaran Crucifixion oil painting reproduction

   
 

 

 
   
      

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CARPIONI, Giulio

Italian painter, Venetian school (1613-1674)

Måleriet identifieringen::  32276
Crucifixion
c. 1648 Olja på segelduk. 205 x 131 cm
Italian painter, Venetian school (1613-1674) Titta min galleri i Sverige
 
 
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CARPIONI, Giulio Crucifixion oil painting reproduction

   
 

 

 
   
      

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GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337

Måleriet identifieringen::  33298
Crucifixion
mk86 1303-1305 Ny Padua Arenan Kapellen
Italian Early Renaissance Painter, 1267-1337 Titta min galleri i Sverige
 
 
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GIOTTO di Bondone Crucifixion oil painting reproduction

   
 

 

 
   
      

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Grunewald, Matthias

German Northern Renaissance Painter, ca.1470-1528

Måleriet identifieringen::  33517
Crucifixion
mk86 1512-1516 Olja på trä 269x307cm
German Northern Renaissance Painter, ca.1470-1528 Titta min galleri i Sverige
 
 
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Grunewald, Matthias Crucifixion oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  38396
Crucifixion
c. 1476 Tempera on wood, 154 x 98 cm Hungarian National Gallery, Budapest
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unknow artist Crucifixion oil painting reproduction

   
 

 

 
   
      

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Lucas Cranach the Elder

b. 1472, Kronach, d. 1553, Weimar

Måleriet identifieringen::  39702
Crucifixion
mk150 c.1500/1501 58.5x45cm
b. 1472, Kronach, d. 1553, Weimar Titta min galleri i Sverige
 
 
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Lucas Cranach the Elder Crucifixion oil painting reproduction

   
 

 

 
   
      

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Bernardo Daddi

active in Florence 1320-1348

Måleriet identifieringen::  40144
Crucifixion
mk156 c.1335 Temperamenten på panel 36x23.5cm Den Nationell Galleri av Konst. Washington D.C.
active in Florence 1320-1348 Titta min galleri i Sverige
 
 
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Luca Signorelli

Crtona 1441-1523

Måleriet identifieringen::  40286
Crucifixion
mk156 c.1500 Olja på segelduk 247x117.5cm
Crtona 1441-1523 Titta min galleri i Sverige
 
 
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Luca Signorelli Crucifixion oil painting reproduction

   
 

 

 
   
      

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Grunewald, Matthias

German Northern Renaissance Painter, ca.1470-1528

Måleriet identifieringen::  40306
Crucifixion
mk156 1515 Olja på trä 269x307cm
German Northern Renaissance Painter, ca.1470-1528 Titta min galleri i Sverige
 
 
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Grunewald, Matthias Crucifixion oil painting reproduction

   
 

 

 
   
      

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Tintoretto

Italian Mannerist Painter, ca.1518-1594

Måleriet identifieringen::  40385
Crucifixion
mk156 1565 Olja på segelduk 536x1224cm
Italian Mannerist Painter, ca.1518-1594 Titta min galleri i Sverige
 
 
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Tintoretto Crucifixion oil painting reproduction

   
 

 

 
   
      

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TINTORETTO, Jacopo

Birth Year:, 1518. Death Year:, 1594

Måleriet identifieringen::  41142
Crucifixion
mk157 1565 Olja på segelduk 536x1224cm
Birth Year:, 1518. Death Year:, 1594 Titta min galleri i Sverige
 
 
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TINTORETTO, Jacopo Crucifixion oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  43549
Crucifixion
1501-1550 c. 1500 Tempera on canvas 85 x 67,3 cm
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MASTER of Budapest Crucifixion oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  43565
Crucifixion
1490s Oil on wood 57 x 47 cm
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Master of Virgo inter Virgines Crucifixion oil painting reproduction

   
 

 

 
   
      

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Albrecht Altdorfer

German 1480-1538 Albrecht Altdorfer Galleries

Måleriet identifieringen::  58198
Crucifixion
Crucifixion (a scene rarely set on the banks of a large river) by Altdorfer, c. 1520
German 1480-1538 Albrecht Altdorfer Galleries Titta min galleri i Sverige
 
 
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Albrecht Altdorfer Crucifixion oil painting reproduction

   
 

 

 
   
      

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Bernardo Daddi

active in Florence 1320-1348

Måleriet identifieringen::  58521
Crucifixion
Crucifixion (1340-1345)
active in Florence 1320-1348 Titta min galleri i Sverige
 
 
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Bernardo Daddi Crucifixion oil painting reproduction

   
 

 

 
   
      

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Simon Vouet

b. 1590, Paris, d. 1649, Paris

Måleriet identifieringen::  61484
Crucifixion
Chiesa del Gese, Genes,375 X 225 cm.1622
b. 1590, Paris, d. 1649, Paris Titta min galleri i Sverige
 
 
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Simon Vouet Crucifixion oil painting reproduction

   
 

 

 
   
      

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BRAMANTINO

Italian High Renaissance Painter, ca.1460-1530

Måleriet identifieringen::  63534
Crucifixion
1515 Oil on canvas, 372 x 270 cm Pinacoteca di Brera, Milan This painting may have come from the church of S. Maria di Brera. At one time it was probably an organ shutter. It was formerly attributed to Bramante. A late work, this painting reveals Bramantino's background. His roots were in the art of Ercole de' Roberti, the most energetically emotional fifteenth- century painter in northern Italy. It is from this source that Bramantino drew his highly dramatic style, which led him to freeze the tragedy of the Crucifixion within a framework of lucid abstraction. At the same time he seized the opportunity to seek out new means of formal expression. The crosses of the two thieves are arranged in terms of a centralized perspective, creating a space almost like an interior, and leading directly to the background where typical Bramantino buildings are silhouetted against an evening sky. (One of the buildings resembles the Trivulzio mausoleum, which was designed by the artist.) The marked bisymmetry of the painting, with angel and demon, sun and moon, is less structured in the choral rhythm of the foreground. The Madonna's grief is represented within the circle described by the hands of the saints, while the Magdalene lifts her arms toward the cross as if to raise it up to heaven. A strict intellectual approach dominates the colour scheme, in which subdued olive greens, golden grays and browns predominate.Artist:BRAMANTINO Title: Crucifixion Painted in 1451-1500 , Italian - - painting : religious
Italian High Renaissance Painter, ca.1460-1530 Titta min galleri i Sverige
 
 
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BRAMANTINO Crucifixion oil painting reproduction

   
 

 

 
   
      

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BALDUNG GRIEN, Hans

German Northern Renaissance Painter and Printmaker, ca.1484-1545

Måleriet identifieringen::  63688
Crucifixion
1511 Chiaroscuro woodcut, 347 x 260 mm Germanisches Nationalmuseum, NurembergArtist:BALDUNG GRIEN, Hans Title: Crucifixion Painted in 1501-1550 , German - - graphics : religious
German Northern Renaissance Painter and Printmaker, ca.1484-1545 Titta min galleri i Sverige
 
 
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BALDUNG GRIEN, Hans Crucifixion oil painting reproduction

   
 

 

 
   
      

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BRUEGHEL, Pieter the Younger

Flemish painter (b. 1564, Bruxelles, d. 1638, Antwerp).

Måleriet identifieringen::  64484
Crucifixion
1617 Oil on wood, 82 x 123 cm Museum of Fine Arts, Budapest It is assumed that the painting is copy of lost painting of Pieter Bruegel the Elder. There are several other copies differring only in the background. Artist:BRUEGHEL, Pieter the Younger Title: Crucifixion, 1551-1600, Flemish , painting , religious
Flemish painter (b. 1564, Bruxelles, d. 1638, Antwerp). Titta min galleri i Sverige
 
 
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BRUEGHEL, Pieter the Younger Crucifixion oil painting reproduction

   
 

 

 
   
      

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MAULBERTSCH, Franz Anton

Austrian Painter, 1724-1796

Måleriet identifieringen::  64576
Crucifixion
1758 Fresco Parish Church, S?meg Artist:MAULBERTSCH, Franz Anton Title: Crucifixion, 1751-1800, Austrian , painting , religious
Austrian Painter, 1724-1796 Titta min galleri i Sverige
 
 
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GADDI, Agnolo

Italian Early Renaissance Painter, ca.1345-1396

Måleriet identifieringen::  64767
Crucifixion
1390-96 Tempera on wood, 57,5 x 77 cm Galleria degli Uffizi, Florence , GADDI, Agnolo , Crucifixion , 1351-1400 , Italian , painting , religious
Italian Early Renaissance Painter, ca.1345-1396 Titta min galleri i Sverige
 
 
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GADDI, Agnolo Crucifixion oil painting reproduction

   
 

 

 
   
      

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Piero della Francesca

Italian Early Renaissance Painter, ca.1422-1492

Måleriet identifieringen::  64938
crucifixion
se
Italian Early Renaissance Painter, ca.1422-1492 Titta min galleri i Sverige
 
 
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Piero della Francesca crucifixion oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  69062
crucifixion
venice, galerie dell,accademia. 287x447cm se
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Paolo  Veronese crucifixion oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  69068
crucifixion
budapest, museum of fine arts 149x90cm se
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Paolo  Veronese crucifixion oil painting reproduction

   
 

 

 
   
      

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Albrecht Altdorfer

German 1480-1538 Albrecht Altdorfer Galleries

Måleriet identifieringen::  77217
Crucifixion
Date ca. 1526(1526) Medium linden Dimensions Width: 21 cm (8.3 in). Height: 29 cm (11.4 in). cyf
German 1480-1538 Albrecht Altdorfer Galleries Titta min galleri i Sverige
 
 
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Albrecht Altdorfer Crucifixion oil painting reproduction

   
 

 

 
   
      

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Maarten van Heemskerck

(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings.

Måleriet identifieringen::  83293
Crucifixion
Date between 1545(1545) and 1550(1550) Medium Oil on wood cjr
(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings. Titta min galleri i Sverige
 
 
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RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520

Måleriet identifieringen::  84043
Crucifixion
Date between 1502(1502) and 1503(1503) Medium Oil on wood Dimensions Height: 281 cm (110.6 in). Width: 165 cm (65 in). cjr
Italian High Renaissance Painter, 1483-1520 Titta min galleri i Sverige
 
 
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RAFFAELLO Sanzio Crucifixion oil painting reproduction

   
 

 

 
   
      

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Luca Signorelli

Crtona 1441-1523

Måleriet identifieringen::  85492
Crucifixion
Date c. 1504-1505 Medium tempera and Oil on panel Dimensions 72.5 x 101.3 cm (28.5 x 39.9 in) cjr
Crtona 1441-1523 Titta min galleri i Sverige
 
 
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Luca Signorelli Crucifixion oil painting reproduction

   
 

 

 
   
      

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RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520

Måleriet identifieringen::  87903
Crucifixion
between 1502(1502) and 1503(1503) Medium Oil on wood cyf
Italian High Renaissance Painter, 1483-1520 Titta min galleri i Sverige
 
 
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RAFFAELLO Sanzio Crucifixion oil painting reproduction

   
 

 

 
   
      

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Jan Van Eyck

1395-1441 Flemish Jan Van Eyck Locations

Måleriet identifieringen::  88194
Crucifixion
between 1420(1420) and 1425(1425) Medium Oil on wood transferred to canvas Dimensions Height: 56.5 cm (22.2 in). Width: 19.5 cm (7.7 in). cjr
1395-1441 Flemish Jan Van Eyck Locations Titta min galleri i Sverige
 
 
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Jan Van Eyck Crucifixion oil painting reproduction

   
 

 

 
   
      

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Jan provoost

Dutch, born circa 1465-1529

Måleriet identifieringen::  88818
Crucifixion
1500(1500) Medium Oil on oak panel cyf
Dutch, born circa 1465-1529 Titta min galleri i Sverige
 
 
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Jan provoost Crucifixion oil painting reproduction

   
 

 

 
   
      

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Jan provoost

Dutch, born circa 1465-1529

Måleriet identifieringen::  88819
Crucifixion
first half of 16th century Medium Oil on oak panel cyf
Dutch, born circa 1465-1529 Titta min galleri i Sverige
 
 
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Jan provoost Crucifixion oil painting reproduction

   
 

 

 
   
      

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Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations

Måleriet identifieringen::  89023
Crucifixion
c. 1515(1515) oil on oak cyf
b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Titta min galleri i Sverige
 
 
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Gerard David Crucifixion oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  89153
Crucifixion
1490s Medium oil on wood cyf
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Master of Virgo inter Virgines Crucifixion oil painting reproduction

   
 

 

 
   
      

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Pietro Perugino

Italian 1450-1523 Pietro Perugino Galleries

Måleriet identifieringen::  89313
Crucifixion
between 1503(1503) and 1506(1506) Medium oil on wood cyf
Italian 1450-1523 Pietro Perugino Galleries Titta min galleri i Sverige
 
 
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Pietro Perugino Crucifixion oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  89340
Crucifixion
1490s Medium oil on wood cyf
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Master of Virgo inter Virgines Crucifixion oil painting reproduction

   
 

 

 
   
      

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Luca Signorelli

Crtona 1441-1523

Måleriet identifieringen::  89603
Crucifixion
1504-1505 Medium tempera and oil on panel Dimensions 72.5 x 101.3 cm (28.5 x 39.9 in) cyf
Crtona 1441-1523 Titta min galleri i Sverige
 
 
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Luca Signorelli Crucifixion oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  90995
Crucifixion
Oil on oak panel, 77 x 47 cm Staatliche Museen, Berlin Date 1440s cyf
c.1399-1464 Titta min galleri i Sverige
 
 
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Roger Van Der Weyden Crucifixion oil painting reproduction

   
 

 

 
   
      

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Piero della Francesca

Italian Early Renaissance Painter, ca.1422-1492

Måleriet identifieringen::  91675
Crucifixion
1445(1445) and 1462(1462) Medium oil and tempera on panel Dimensions Height: 81 cm (31.9 in). Width: 52 cm (20.5 in). cyf
Italian Early Renaissance Painter, ca.1422-1492 Titta min galleri i Sverige
 
 
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Piero della Francesca Crucifixion oil painting reproduction

   
 

 

 
   
      

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Mikhail Nesterov

Russian artist.1869-1938

Måleriet identifieringen::  92002
Crucifixion
Oil on canvas Date 1912(1912) cyf
Russian artist.1869-1938 Titta min galleri i Sverige
 
 
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Rogier van der Weyden

Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance

Måleriet identifieringen::  93668
Crucifixion
1440s Medium oil on oak panel Dimensions Height: 77 cm (30.3 in). Width: 47 cm (18.5 in). cjr
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance Titta min galleri i Sverige
 
 
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MASACCIO

Italian Early Renaissance Painter, 1401-1428

Måleriet identifieringen::  94642
Crucifixion
circa 1426 Type panel Dimensions 83 cm x 300 cm (33 in x 120 in) cyf
Italian Early Renaissance Painter, 1401-1428 Titta min galleri i Sverige
 
 
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MASACCIO Crucifixion oil painting reproduction

   
 

 

 
   
      

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Giulio Carpioni

(1613 - 29 January 1678) was an Italian painter and etcher of the early Baroque era. Born probably in Venice, Carpioni studied under Alessandro Varotari (il Padovanino) and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the Apotheosis of the Dolfin family (1647) and the Allegory of the Grimani Family (1651), and altarpiece of Sant'Antonio da Padova, a Virgin and two saints, and a Triumph of Silenus in the Gallerie dell Accademia of Venice. He painted a series of canvases for the Oratory of San Nicola da Tolentino in Vicenza.

Måleriet identifieringen::  95888
Crucifixion
circa 1648(1648) Medium oil on canvas cyf
(1613 - 29 January 1678) was an Italian painter and etcher of the early Baroque era. Born probably in Venice, Carpioni studied under Alessandro Varotari (il Padovanino) and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the Apotheosis of the Dolfin family (1647) and the Allegory of the Grimani Family (1651), and altarpiece of Sant'Antonio da Padova, a Virgin and two saints, and a Triumph of Silenus in the Gallerie dell Accademia of Venice. He painted a series of canvases for the Oratory of San Nicola da Tolentino in Vicenza. Titta min galleri i Sverige
 
 
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Jindrich Prucha

painted Village Green in 1910 - 1911

Måleriet identifieringen::  97126
Crucifixion
1912(1912) Medium oil on cardboard Dimensions 52 X 68.5 cm cyf
painted Village Green in 1910 - 1911 Titta min galleri i Sverige
 
 
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Maarten van Heemskerck

(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings.

Måleriet identifieringen::  97222
Crucifixion
between 1545(1545) and 1550(1550) Medium oil on panel cyf
(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings. Titta min galleri i Sverige
 
 
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Maarten van Heemskerck Crucifixion oil painting reproduction

   
 

 

 
   
      

Maarten van Heemskerck
(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings.
Crucifixion

        
 
   
 

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